The Pathology of Relational Aesthetics and the Anomaly of Adaptive Behavior of Transformation in Nuruddin Farah’s Crossbones (2011)
The postmodernist material cause of the schema of Crossbones implies an innovative method and a meta-cognition realm within postcolonial system of proposition and metadata, involves a new approach of intellection in the perspective relational values and relational frame theory stand as a dimensionality of understanding and a generative and transformative reality. Through an object program and a normative functionalism, Farah installs a psycho-functionalist perspective in the run to transcend the realm of ethnocentrism and relegio-politico social theory concerning the domain of formal conception and perception of relationalism. This persistence relates to an alternative understanding, a modality and property differentiation concerning the relational aesthetic and the status quo of the Be-ing, and a transformative reform about human intellect prerequisites and requests. in this dynamic of social practice and evidence-based practice, the relational aesthetic theory within Farah evolves his docufiction, define a method of linguistic performance and a relational expression that focuses on a conceivable representation of truth and experience.
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